Lalla Essaydi at the Smithsonian’s National Museum of.
Lalla Essaydi is amongst the ever-growing number of women artists from the Maghreb who have garnered international acclaim. The artist must also be placed, more widely, within a generation of minoritized artists who, often living and working in North America or Europe, explore issues relating to colonialism, gender and identity, particularly plural identity or what Homi Bhabha famously calls.
Lalla Essaydi, explores the image of women in Islamic society. The follwoing images are from her very cool series entitled Harem in which her subjects are wrapped in robes and henna which echo the decorative Arabic tiles and patterns that wall the incredible interiors. She explores issues surrounding the role of women in Arab culture and their representation in the western European artistic.
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She recently showed in the solo show Lalla Essaydi: From “Converging Territories” to “Harlem Revisited” at the Newport Art Museum in Rhode Island. Her works are in the permanent collections of major institutions including the San Francisco Museum of Modern Art, the Smithsonian African Museum of Art, the Louvre, and the National Gallery of Art. She has been featured by the The New.
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Her most recent exhibit was Lalla Essaydi: Revisions, A Retrospective, and was displayed at the Smithsonian African Museum of Art, Washington, DC (solo). In her works, Essaydi often portrays women and girls in linen draped rooms. The subjects are also draped in the fabric and everything seems to be covered in a script of some sort. The anonymity of the women portrayed (for they are never named.